A form amassing. A signal sent and received. An object for use. Form is force. Form behind. Form in a world of radical positivity. Form is leaking. Form learned from limits. Force is form. In this way, form is passive. Form is seen. Light reflects from the surface of form. Form which reforms then dissipates. Form which strikes then flees. Form whi... More
This fall, Open Space has featured a series of reflections by artists, writers, and curators on “the contemporary.” Today’s piece is by British poet Francesca Lisette, who currently lives in London.
A couple of months ago I was in California with a friend. As we took pictures of each other in the park, he joked about the fac... More
In our regular feature Collection Rotation, a guest selects from SFMOMA’s collection works online. This fall artists with Bay Area ties take over the series. In addition to their rotations, we asked each artist to answer poet Robert Duncan’s request to students in his 1958 Workshop in Basic Techniques and provide us with a set of influences for... More
Through March 2, 2014, SFMOMA presents newly commissioned and site-responsive projects from contemporary artists, as well as historical works and documentation, in the small suburban city of Los Altos. This Open Space series highlights artists and spaces relating to Project Los Altos through conversations with the project’s contributors and my ow... More
On the occasion of Mark di Suvero at Crissy Field, SFMOMA curator of public programs Frank Smigiel and poet and playwright Kevin Killian co-organized a small chapbook of poetry, beautifully hand-produced by Andrew Kenower and Lara Durback. We are posting selections from FIELD WORK on Open Space throughout the fall.
JULIANA SPA... More
In tribute to Mel Henderson (November 10, 1922–October 4, 2013).
“I’ve been involving myself with the landscape of San Francisco since 1969 — its abrupt geology, the beauty of its architectural geometry, and the diverse composition of its people. The city offers a lot of physical options for outside public events, especially events t... More
Approximate 1850 artifice. The uses of the stereoscopic trick: you are enlisted in displacing the site of depth perception’s processing from the brain to the outside, to the modern double image. By its doubling, you are enlisted in its presence as the left image that is not-complete, the right image that is not-complete. You are also e... More
“Polis is eyes.” — Charles Olson
As I think I told you, I read your article “White Wigs, Black Masks: On Pop Surveillance” in The Nation and thought how good it would be to talk to the author, before glancing up to see it was written by a person I know. So I am very pleased to be able to communicate about this and thought... More
We’re taking our Five Questions series around the office and finding out more about SFMOMA staff members and what’s changed for them now that we’re under construction. Today we’re talking to Jana Machin, director of SFMOMA’s MuseumStore, in the store’s temporary location on Yerba Buena Lane, where it will be unti... More