Claudia La Rocco
Claudia La Rocco is the author of The Best Most Useless Dress (Badlands Unlimited), selected poetry, performance texts, images and criticism, and the novel petit cadeau, which was published by The Chocolate Factory Theater in print and live editions. She edited I Donʼt Poem: An Anthology of Painters (Off the Park Press) and Dancers, Buildings and People in the Streets, the catalogue for Danspace Projectʼs PLATFORM 2015, which she curated. Her poetry and prose have been published in 6X6 #34: I Like Softness (Ugly Duckling Presse), Imagined Theatres: Writing for a theoretical stage (Daniel Sack, ed; Routledge), On Value (Ralph Lemon, ed; Triply Canopy), et al. She has received grants and residencies from such organizations as the Doris Duke Charitable Foundation, Creative Capital/Warhol Foundation, and Headlands Center for the Arts, and has bylines in numerous publications, including ARTFORUM, BOMB, and The New York Times, where she was an arts critic and reporter from 2005-2015. animals & giraffes, her duo with musician/composer Phillip Greenlief and an ongoing roster of collaborators, has released two albums: July (with various musicians; Edgetone Records, 2017) and Landlocked Beach (with Wobbly; Creative Sources, 2018). In February 2016 she became editor-in-chief of Open Space.
Getting It Right: Claudia La Rocco talks with Marisa Mazria Katz about Creative Time Reports
Posted on March 09, 2017
Redefining Touch: A Conversation with James Fleming, Kelly Lovemonster, and boychild
Posted on January 05, 2017