Posts Tagged “Feminism”

Police Eyes: A Conversation with Joshua Clover

11.29.2013  |  By
Filed under: Conversations

“Polis is eyes.” — Charles Olson

As I think I told you, I read your article “White Wigs, Black Masks: On Pop Surveillance” in The Nation and thought how good it would be to talk to the author, before glancing up to see it was written by a person I know. So I am very pleased to be able to communicate about this and thought... More

Sports(wo)manly Conduct

08.23.2010  |  By
Filed under: Essay

I just spent a whole month of my life glued to all manner of screens devouring world cup football (or soccer as you call it here in America). There were many things I should have been doing, instead I was watching the beautiful game unfold in South Africa. Now I know that for most of the American public this is a sport that lacks excitement, a game can end with no one scoring any goals; and confuses, the offside rule. FIFA’s refusal to allow instant playback is seen as archaic and nonsensical. But if you grow up anywhere outside the USA, th... More

Overthrowing syntax:making an arguement for being misunderstood

06.17.2010  |  By
Filed under: Field Notes

“It is still better to speak only in riddles, allusions, hints, parables. Even if asked to clarify a few points. Even if people plead that they just don’t understand. After all, they never have understood. So why not double the misprision to the limits of exasperation?

Luce Irigaray,  Speculum of the Other Woman (1974, P. 587) (more…)

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Four Dialogues 4: On Elaine May

08.28.2009  |  By
Filed under: Conversations

Earlier this summer Miriam Bale asked if I might contribute to a weeklong compendium of comedy criticism under the title Comedy v. Criticism—this leading towards a screening of Elaine May’s film Ishtar at DCTV in New York on August 31st. (Richard Brody’s blurb on it here.) Miriam and I have talked about May for years, and this seemed ... More

Desiree Holman’s Alien Resurrection

05.06.2009  |  By
Filed under: Field Notes

Visitors to the 2008 SECA Art Award exhibition will remember The Magic Window, a suite of drawings and video from 2007 in which Desiree Holman invokes the enticing numbness of sitcom family fantasies from her 1980s childhood. In her latest body of work, on view at Silverman Gallery in San Francisco through May 30, she digs deeper into the complexities of familial psychology, tackling the thorny territory of motherhood. Holman’s practice originates in sculpture, with costumes and props that actors then bring to life in her psychedelic video epics. Her interest is in the mediation of deeply personal ideas, such as the relationship between parent and child, through the lens of popular American culture. The genesis of this project, which she titled Reborn, was Holman’s discovery of a movement among middle-aged American housewives to create lifelike baby dolls, complete with breathing mechanisms and individually-rooted eyelashes.

Holman spent more than two years researching the ... More