Posts Tagged “fsmigiel”

Frank Smigiel: A Producer’s Journal, or Judgment A Go-Go

12.18.2013  |  By
Filed under: 151 3rd, Field Notes

In spring 2011, Open Space hosted a series of “Shop Talk” conversations prompted by artist Stephanie Syjuco’s complex — and somewhat controversial — Shadowshop project, which included more than 200 Bay Area artists showcasing “wares” in a gift shop-style installation on SFMOMA’s fifth floor. In this essay, published earlier this y... More

STAGE PRESENCE TONIGHT: ANN MAGNUSON, ANDREA FRASER, CINDY SHERMAN, THE MUDD CLUB

07.13.2012  |  By
Filed under: 151 3rd

Frank Smigiel

Tonight marks the official opening event for Rudolf Frieling’s exhibition Stage Presence: Theatricality in Media and Art. It’s also our celebratory members’ party for this show and for Cindy Sherman, the traveling retrospective of one of the most important and innovative artists working today (it was organized by Eva Respini of the Museum of Modern Art in New York and installed here by our own Erin O’Toole).

Besides the many thematic links across both shows — like self-styling, staged identities, and the pose — eac... More

Frank Smigiel: Individual Actions and Small Change, or Artists as Producers

04.18.2011  |  By
Filed under: 151 3rd, Projects/Series

The exhibition The More Things Change samples SFMOMA’s collection to present a range of works made since 2000, offering a selective survey of the art of the last 10 years and a thematic and psychological portrait of the decade. The exhibition is also an unusual collaboration among all five curatorial departments at the museum, and over the... More

One on One: Frank Smigiel on David Hockney

07.20.2010  |  By

To Shirley Goldfarb, thanks for everything, David Hockney: On David Hockney’s Shirley Goldfarb & Gregory Masurovsky

Earlier this month, I had the pleasure of giving a gallery talk on David Hockney’s double portrait, Shirley Goldfarb & Gregory Masurovsky, currently on view in From Warhol to Calder: Introducing the Fisher Collection. I ap... More

Opening Salvo: Three Questions for the Futurist Moment

10.15.2009  |  By
Filed under: Conversations

This week sees the arrival at last of the SFMOMA LiveArt/Performa 09 collaboration, METAL+MACHINE+MANIFESTO. Events started Wednesday evening with a symposium at the Italian Cultural Institute and continue through the weekend here at SFMOMA and elsewhere. Open Space has already seen some significant discussion of the project a few weeks back. Here,... More

“My Weimar”

02.19.2009  |  By
Filed under: 151 3rd, Essay

[SFMOMA associate curator of Public Programs Frank Smigiel arrived on the scene here a year and a half ago, and in record time he's implemented a whole new SFMOMA programming vehicle, Live Art. This blog has been following his projects with interest, in part because of their boundary-pushing & often community-attentive nature, but also because, on more than one occasion, there's been cabaret involved. Here Frank waxes prophetic (as opposed to nostalgic) on last year's Valentine's Day-era cabaret extravaganza Weimar New York: A Golden Gate Affair, and its seedling relationship to his ever-expanding set of Live Art programs.]

Just before the holiday weekend last year I was immersed in a week of activities surrounding Weimar New York, a radical cabaret created by curator, producer, and all-around downtown New York impresario Earl Dax. The show uses Weimar-era Germany as a rubric & reference to gather burlesque, cabaret, comedy, drag, and East Village-flavored performance artists. The ... More