Posts Tagged “Frank Smigiel”

STAGE PRESENCE TONIGHT: ANN MAGNUSON, ANDREA FRASER, CINDY SHERMAN, THE MUDD CLUB

07.13.2012  |  By
Filed under: 151 3rd

Frank Smigiel

Tonight marks the official opening event for Rudolf Frieling’s exhibition Stage Presence: Theatricality in Media and Art. It’s also our celebratory members’ party for this show and for Cindy Sherman, the traveling retrospective of one of the most important and innovative artists working today (it was organized by Eva Respini of the Museum of Modern Art in New York and installed here by our own Erin O’Toole).

Besides the many thematic links across both shows — like self-styling, staged identities, and the pose — eac... More

One on One: Frank Smigiel on David Hockney

07.20.2010  |  By

To Shirley Goldfarb, thanks for everything, David Hockney: On David Hockney’s Shirley Goldfarb & Gregory Masurovsky

Earlier this month, I had the pleasure of giving a gallery talk on David Hockney’s double portrait, Shirley Goldfarb & Gregory Masurovsky, currently on view in From Warhol to Calder: Introducing the Fisher Collection. I ap... More

“My Weimar”

02.19.2009  |  By
Filed under: 151 3rd, Essay

[SFMOMA associate curator of Public Programs Frank Smigiel arrived on the scene here a year and a half ago, and in record time he’s implemented a whole new SFMOMA programming vehicle, Live Art. This blog has been following his projects with interest, in part because of their boundary-pushing & often community-attentive nature, but also because, on more than one occasion, there’s been cabaret involved. Here Frank waxes prophetic (as opposed to nostalgic) on last year’s Valentine’s Day-era cabaret extravaganza Weimar New York: A Golden Gate Affair, and its seedling relationship to his ever-expanding set of Live Art programs.]

Just before the holiday weekend last year I was immersed in a week of activities surrounding Weimar New York, a radical cabaret created by curator, producer, and all-around downtown New York impresario Earl Dax. The show uses Weimar-era Germany as a rubric & reference to gather burlesque, cabaret, comedy, drag, and East Village-flavor... More