Posts Tagged “Barry McGee”

Collection Rotation: Annie Albagli

11.25.2013  |  By
Filed under: 151 3rd, Projects/Series

In our regular feature Collection Rotation, a guest selects from SFMOMA’s collection works online. This fall artists with Bay Area ties take over the series. In addition to their rotations, we asked each artist to answer poet Robert Duncan’s request to students in his 1958 Workshop in Basic Techniques and provide us with a set of influences for... More

Diary of a Crazy Artist: On Finding Barry McGee in Brooklyn

11.01.2012  |  By
Filed under: Projects/Series

In case you haven’t heard yet, a new Barry McGee mural was just completed in Brooklyn. It was commissioned by Vanity Fair and kicks some serious ass. The mural adorns a 100-foot wall on the Mark Morris Dance Center in Fort Greene. It is refreshing because it does not pretend to be a site-specific community mural, as so many murals are these d... More

Caste and Outcast

09.21.2010  |  By
Filed under: Field Notes

I first saw Jason Jägel’s boisterous, hectic painting on the walls of the first Bay Area Now show at Yerba Buena Center for the Arts, here in San Francisco. Wow, when was that — 1996, 1997? Jägel continues to this day to produce some of the headiest, craziest, and most beautiful work in California. I’ve wanted to write something about him ... More

Re: Mission

03.11.2010  |  By
Filed under: Uncategorized

In January, at the opening of the Anniversary Show at SFMOMA, artist Colter Jacobsen and I found ourselves standing in the doorway of the SECA/Mission School room, which was kind of comical since Colter himself is frequently associated with the Mission School. Well, maybe not “comical.” Maybe “awkward” or “ironic” would be better. I pointed to the signage and said, “I guess the Mission School is official.” Colter nodded toward the Barry McGee assemblage bulging from the wall and said, “Yes, it’s pregnant and giving birth ... More

Reframing Conservation

11.30.2009  |  By
Filed under: Conversations

In the first in an occasional series of posts focused on issues of conservation, managing editor of communications Apollonia Morrill talks with director of conservation and collections Jill Sterrett, about an installation by Barry McGee, and the ways the field of  conservation evolves to meet the demands of new artwork.

As a student of art history, I was always fascinated by the field of conservation. I started out studying medieval art; of those who work in with this material, conservators seemed most linked to its inner life and its makers. ... More