Artist Nate Boyce talks about some of his introductory encounters with the San Francisco scene in the early 2000s, including a performance by experimental musician Maryanne Amacher at the “high-tech bunker” known as the Compound, and a revelatory screening at the San Francisco Cinematheque.
Organized by The Editors
The Stein family's Saturday salons in their Paris apartments were the crucible of avant-garde art and writing of the period. In keeping with the spirit of those informal gatherings, our guests — artists, writers, filmmakers, performers, and others — entertained us with their personal recollections of Bay Area avant-garde histories. Presented in conjunction with The Steins Collect, and co-organized with Margaret Tedesco.
Compilations and unfurling sequences of contributions – some from our archive, some freshly assembled.