The search function is the pinnacle of any networked system, an access point that has evolved from an aspect of internal networks into being synonymous with the almighty search engine. In the ’80s, a time when our internal networks were flawed by unstructured information management, Thomas D. Wilson began studying behaviors related to seeking information.
In our regular feature Collection Rotation, a guest selects from SFMOMA’s collection works online. This fall artists with Bay Area ... More
The return of our regular feature Collection Rotation, in which a guest organizes a mini “exhibition” from SFMOMA’s collection works ... More
The first time I came to New York everybody told me I had to visit Printed Matter. It’s an amazing ... More
Joseph Becker Can there be architecture without buildings? What if a wall or a floor went on forever? The works in our current show, Field Conditions, pose these questions and more about the construction, experience, and representation of space. In an attempt to expand our general interpretation of architectural ideas, its focus is on an array of projects by both artists and architects that redefine the relationships between invisible and visible, figure and ground, finite and infinite. As an exhibition, Field Conditions feels like the tip of the iceberg to me, a leaping-off point for further investigation and analysis on these intersections between art and architecture practice and the abstract concept of “space” as a subject. The SFMOMA presentation, with 13 projects by 11 artists and architects, is of course limited by the physical factors of the gallery and as such cannot begin to be a complete and comprehensive analysis of the topic and theory that interests me here. Of course, neither can a singular essay devoted to the subject, although I did map out a semi-comprehensive 15-page outline as a beginning. Suzanne asked me to publish this, incomplete and as-is, on Open Space, and in this age of attention deficit and information over-saturation, I was excited to re-imagine the essay format for the space of the web. The great advantage of web-publishing — the possibility of immediate derailment, disorientation, or adventure down the rabbit hole. So, with that in mind, please scan, peruse, click, enjoy.
Positive Signs is a series of interpretive diagrams, quotes, and speculations on creativity and optimism. — Next: Positive Signs #56–60, on ... More
Do you collect anything? One of the things that I collect was actually inspired by an exhibition that we had here at SFMOMA about 10 years ago called California Pottery; that's where I learned to love Bauer ringware pottery. I have several small bowls and a butter plate. I prefer the black ringware because it’s the rarest. When I got married four or five years ago I happily found out that my husband collected Bauer flowerpots, so between the two of us we have quite a nice collection.
You may remember a Flickr pic of the week post from last May of Sol Lewitt’s Steel Sculpture. Here’s another ... More
This week we have an example of two ways to see Sol Lewitt’s Steel Structure. SFMOMA’s image: And our Flickr ... More
Five questions to SFMOMA visitors, artists, staff, or guests. Name/Place of Residence/Occupation/Hobby? My name is Rebekah. I am an optician ... More
Dear Reader, This is Tammy. It’s hard to imagine that the Sol LeWitts are gone. We got up REALLY EARLY ... More
At 6am this Wednesday morning, the iconic and colorful Sol LeWitt Wall Drawings #935 and #936 will be “deinstalled” (read: ... More