FIELD WORK: Bill Berkson
On the occasion of Mark di Suvero at Crissy Field, SFMOMA curator of public programs Frank Smigiel and poet and playwright Kevin Killian co-organized a small chapbook of poetry, beautifully hand-produced by Andrew Kenower and Lara Durback. We are posting selections from FIELD WORK on Open Space throughout the fall.
No Argument
BILL BERKSON
As cicadas split hairs at sunset
skidmarks reel off frilly increments
lifting on high the clear carnal sea
Pure Saturnalia––be captivated if you can
with that approximate yearning for borders
like when you first heard the music whispered low
What it was was Sprechstimme
echo of life’s primordial Kunstwollen
blank check of the air
I always thought a tree house was involved
the secret loves of a chainlink fence
you stand mesmerized
while the beholders scatter
their potshots getting cozier
on the last meteor out
Ancestral faces hang on the old oak tree of a cloud
time out of reach for the main complaint
omit the wake-up stifle any kindred sense of smell
A film is gathering of exceedingly correct proportions
to puncture maybe tumble into
not even once
Poet and critic Bill Berkson is Professor Emeritus at the San Francisco Art Institute, a contributing editor (poetry) for artcritical.com, and a corresponding editor for Art in America. His most recent books of poems include Portrait and Dream: New & Selected Poems (which won the Balcones Prize for best poetry book in 2010); Not an Exit, with drawings by Léonie Guyer; and Repeat After Me, with watercolors by John Zurier. Other books include two collections of his criticism, The Sweet Singer of Modernism & Other Art Writings: 1985-2003 and For the Ordinary Artist; Sudden Address: Selected lectures 1981-2006; and an epistolary collaboration with Bernadette Mayer entitled What’s Your Idea of a Good Time?. A major new collection of his poems, Expect Delays, is due from Coffee House Press in fall 2014.