Miranda Mellis on Richard Diebenkorn
Certain models of mind say that consciousness and environment are inseparable. As a figure (a representation of consciousness) contiguous with an abstracted ground (environment), Richard Diebenkorn’s Woman in Profile (1958) enacts and prophesies this theory of indivisibility. Her left hand is becoming a paw while her right seems to melt into the creamy table. The … Continue reading Miranda Mellis on Richard Diebenkorn
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