By Leonard Davich

Thanks to Leonard Davich for catching this shot of a visitor adding one more blue color block to Ellsworth Kelly’s Red Yellow Blue White and Black with White Border (1952–53) from the Fisher Collection.

“I’ve been experimenting for a while with overexposed photos as a way to enhance and isolate subjects, colours, and forms,” he says. “It also allows me to blur the limits of the frame which interests me lots.”

Thanks, Leonard!

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