Last weekend, a friend offered me a ticket to see The Gurs Zyklus, a fully staged opera by Seattle-based, German-born, MacArthur-winning, musically inclined installation artist Trimpin. I accepted but had few expectations, though perhaps taste-based trepidations: I’d seen his sound-based installations in the past, just wasn’t sure it would be my cup of tea. Taking … Continue reading The Forgiven