Posts Tagged “The Present Group”

The Present Prize (Travel Grant)

02.21.2011  |  By
Filed under: Field Notes

UPDATE: Last April, I posted here about a travel grant for Bay Area artists. Almost a year later, in collaboration with The Present Group, we’ve produced The Present Prize, a new yearly grant that leverages the profit margin from web-hosting services to support artists. The focus of the grant will change from year to year, but this year’s travel grant is being voted on now. You can view the 9 nominees here or start voting.

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Art Publishing Now

10.19.2010  |  By
Filed under: Field Notes

You may have missed the Art Publishing Now summit and fair at Southern Exposure this month, but you can still get an overview of publishing activity in the SF Bay Area. These one- to two-minute videos offer capsule introductions to a handful (15) of the people behind the print (or web) in the SF Bay Area. Two longer conversations recorded before the event, with Stretcher and Art Practical, are included at the end. For more information on the weekend, or to visit the archives, click over to the APN website.

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$1000 Travel Grant For A Bay Area Artist

04.08.2010  |  By
Filed under: Field Notes

I’ve been thinking about Renny Pritikin’s post from February about artists leaving (or not), in relation to the inadequate travel funding available to artists in the US. Unlike most first-world countries we don’t have a cultural agency at the state or federal level that funds artists’ travel. I have an untested theory that if Bay Area artists had support for mobility that they would be more likely to stay. While the last sentence may sound counter-intuitive, I think one reason artists leave is the relative isolation of the Bay Area in relation to the art centers. More to the point, It appears that most of the artists who have stayed are those who have been able to develop projects and find exhibition opportunities outside of the Bay Area.

In 2007, as part of the Collective Foundation exhibition at YBCA, I produced three alternative approaches to grant-making that didn’t involve non-profit fundraising nor selling artworks. This third option involved identif... More