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San Francisco

Impermanent Collection

Five-Tone Kit: Barbara Stauffacher Solomon & Anthony Braxton

This five-part series — named after a section of composer Lou Harrison‘s (1917-2003) Rhymes With Silver — pairs an image of San Francisco from the SFMOMA Collection with a piece of music also created in or indebted to the Bay Area at large. Subjectively construed, open to intimacy and conflict, these selections are fleeting studies in aural-geographic-temporal synonymy and disjunction. They’re also intended for the weekend, toward whatever end/opening.

Solomon_1
Columnists In Residence

Nothing That Meets the Eye: Notes on Clones

“Nothing That Meets the Eye” is a series of essays in which I think through the aesthetic and affective fallout of some of the odder, ubiquitous, and more stubborn byproducts of our culture of copies, reproductions, and fakes. “Taste has no system and no proofs,” writes Susan Sontag at the outset of “Notes on Camp” (1964). “Any sensibility which can be crammed into the mold of a system, or handled with the rough tools of proof, is no longer a sensibility at all. It has hardened into an idea . . .”

Hal Fischer. Street Fashion Basic Gay from the series Gay Semiotics, 1977/2014. Carbon pigment print, 20 x 16 inches. Courtesy of the artist and Ratio 3.
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