Posts Tagged “San Francisco Cinematheque”

Receipt of Delivery: No Nothing Cinema

11.24.2012  |  By

Receipt of Delivery is a weekly series featuring Bay Area exhibition mailers selected from the SFMOMA Research Library’s collection of artists’ ephemera.

“A long time ago (or so it seems), people made films just for the fun of it. Then someone got the idea that film had to hurt. No pain, no gain. Somehow film showcases decided they were right. Today people still make films just for the fun of it. And we show them at the No Nothing Cinema.” — Dean Snider, 1983, co-founder, No Nothing Cinema (1982-1997, now New Nothing Cinema)

 

T... More

In Search of Christopher Maclaine 16: The THE END Tour – A Work in Progress 14: CLIMAX A

02.28.2011  |  By

This is the sixteenth in a multipart series unofficially conjoined to the publication of Radical Light: Alternative Film & Video in the San Francisco Bay Area, 1945–2000, and the accompanying film series currently being presented by the Pacific Film Archive and San Francisco Cinematheque (in partnership with SFMOMA).

With my friend... More

THIS WEEK! Scott MacDonald program 2, Ozu + Judith Rosenberg & S.F. Cinematheque’s Weekend of Live Cinema

02.18.2010  |  By
Filed under: 151 3rd, Field Notes

Just a quick note to appraise all and sundry of at least a portion of the cream of this week’s Bay Area rep film offerings:  This Thurs (that is, Tonight) graces us with the second program of Scott MacDonald’s 3-part contribution to 75 Years in the Dark:  A Partial History of Film at SFMOMA: Some American Experiments. This rather underwhelming title masks an over-stuffed sausage of a program composed of excitingly disparate parts, including early animation classics like Winsor McCay’s Gertie the Dinosaur (1914), and the Ub Iwerks/Disney Steamboat Willie (1928), as well as major Avant-Garde classics such as Man Ray’s Le retour à la raison and Maya Daren’s Ritual in Tranfigured Time. Great as these all are, I’m especially anxious to see Frank Stauffacher (mastermind of the museum’s legendary Art in Cinema series)’s incredibly rare Zig-Zag, and The Bells of Atlantis by Ian Hugo (one-time husband of Anïs Nin, who was incarnated by Richard... More