Posts Tagged “Drawing”

Five-Tone Kit: Ewan Gibbs & Pauline Oliveros

05.08.2015  |  By
Filed under: 151 3rd, Projects/Series

This brief, five-part series — named after a section of composer Lou Harrison‘s (1917-2003) Rhymes With Silver — pairs an image of San Francisco from the SFMOMA Collection with a piece of music also created in or indebted to the Bay Area at large.


Other Half Orbit

03.16.2015  |  By

We met with Ingrid Rojas Contreras and Jeremiah Barber in the gallery of their current joint exhibition Lo real maravilloso at Mission Cultural Center to talk about their ongoing collaboration. Ingrid identifies primarily as a writer and Jeremiah as a visual artist; however, their connection and collaboration of more than a decade blurs boundaries ... More

The Visual as a Quickening Sound Vibration: An Interview with Musician Oluyemi Thomas, Part III

08.05.2012  |  By

Originally from the musically rich Motor City, Detroit, Michigan, Oluyemi Thomas has been a San Francisco Bay Area resident since 1974. Thomas studied both music and mechanical engineering at Washtenaw College. He creates ordered compositional free music that he acknowledges as part of, but not limited to, what is called jazz. Over a career spannin... More

The Visual as a Quickening Sound Vibration: An Interview with Musician Oluyemi Thomas, Part I

08.04.2012  |  By
Filed under: Conversations

My interest in doing this interview with Oakland musician Oluyemi Thomas stems from a desire to get a wide range of answers to some questions that have held my interest for a number of years now. For example, how does the jazz aesthetic show up in the visual field? And, what are the visual markers indicating that we are “seeing” jazz? My goal is to explore the intersection between jazz music, spirituality, and ritual and to explain how these things are made present in the visual field. There are so many unexplored implications in the notion... More

Palimpsest 10

05.13.2011  |  By

“Palimpsest, i.e., a parchment from which one writing has been erased to make room for another.”H.D.

Painter Philip Guston & poet Clark Coolidge are major collaborators in the tradition of poets and painters working together. In case you haven’t seen it, there’s a delicious new book from the University of California Press, Philip Guston... More

Githinji Wambire’s West Oakland Studio Part 2

12.04.2009  |  By
Filed under: Field Notes

While visiting Githinji’s studio at 1018 Pine street in West Oakland we talked about a lot of things, mostly about the notion of ritual and process. Like many Black/African artists the ritual process of creating the material art object is foremost in Githinji’s mind. The ritual of making is the “art” and knowing that makes seeing and experiencing the object that is the residue of his ritual even more rich. He describes the process with an earnest look on his face “…that is what we do. It’s like James Brown, you know, to get under i... More

Drawing Down Spirits: Sacred Ground Markings of Vodou in San Francisco

09.22.2009  |  By
Filed under: Field Notes

A Haitian visual artist named Florencia Pierre visited San Francisco this weekend and blessed the ground of a public park with her drawings. She is a priestess of the sacred practice of vodou. What may look at first glance like an outdoor scene from some rural part of Haiti actually happened in San Francisco’s Mission District Sunday, September 19th at about one O’clock in the Afternoon. That day I had the pleasure of experiencing a casually ingenious, seamlessly organic blend of dance, visual art, narrative and ritual theater in the form o... More

Desiree Holman’s Alien Resurrection

05.06.2009  |  By
Filed under: Field Notes

Visitors to the 2008 SECA Art Award exhibition will remember The Magic Window, a suite of drawings and video from 2007 in which Desiree Holman invokes the enticing numbness of sitcom family fantasies from her 1980s childhood. In her latest body of work, on view at Silverman Gallery in San Francisco through May 30, she digs deeper into the complexities of familial psychology, tackling the thorny territory of motherhood. Holman’s practice originates in sculpture, with costumes and props that actors then bring to life in her psychedelic video epics. Her interest is in the mediation of deeply personal ideas, such as the relationship between parent and child, through the lens of popular American culture. The genesis of this project, which she titled Reborn, was Holman’s discovery of a movement among middle-aged American housewives to create lifelike baby dolls, complete with breathing mechanisms and individually-rooted eyelashes.

Holman spent more than two years researching the ... More