We have a fantastic pair of Jarman films this Saturday for your holiday weekend, and I have to say that, for my part, I can think of no better method of recovery from over-familial holiday indulgence than a good dose of hours in the Wattis theater watching movies. Plus, nearly four hours with Tilda Swinton? Who would refuse?
Archive for November, 2008
Unknown, Untitled [Apples], n.d. Gelatin silver print, Gift of Gordon L. Bennett. Collection SFMOMA.
Martin Parr, Untitled [metal gravy dish], from the series British Food, 1995. Digital print. Collection SFMOMA.
May it be generous and may it be warm. Go easy on the butter, heavy on the cream. xo, SSMore
If you’re around this holiday weekend and harbor both a special talent for achieving the impossible and the lecturing skills to teach someone how to achieve that miracle themselves, a group of SFAI graduate students wants to hear from you. In conjunction with The Art of Participation, they are organizing an “Art of How-To: Intuitive, Impossible, and Absurd” mini-lecture hour in our Koret Visitor Education Center (slash “D-Space”) on Saturday afternoon, inviting you to come down and educate the public with your special wisdom. Everyone’s welcome to propose a topic, and selected presenters will be given five minutes to discourse. They’ll be shooting video and it’s possible we’ll post some of the results here on the blog.
Contact info and more details are here.More
The last of my week of Derek Jarman music videos. Jarman made this video for Throbbing Gristle’s “TG Psychic Rally in Heaven” in 1981. Fair warning, it’s quite violent and explicit in language & content.
I think Jarman’s broken flashes of images complement TG’s challenging, avant-garde music. Peter Christopherson, who played what we could call the percussion for the band, later went on to form the band Coil, which Jarman employed for soundtracks to many of his films.More
More Jarman videos! This is one of several he made for The Smiths, Ask, from 1986.
Derek Jarman’s films and The Smiths’ songs share similar motifs; this video is a prime example.Both reflect on a fractured world.While Morrissey croons, “If it’s not love then it’s the bomb that will bring us together” Jarman’s video depicts romantic encounters in front of an abandoned warehouse.The skeleton dance partner makes the entire scene into a dance macabre: the youth celebrate but the world falls to pieces.
For your dose of intense and stunning war images, here’s the video Jarman directed for Marianne Faithfull’s Broken English (1979).More
A week of Jarman vids, continued! Jarman made three videos for the Pet Shop Boys: Rent, It’s a Sin and a set of projections for the band’s live shows. Today I have posted the video for Rent but I encourage you to seek out the others, as they are phenomenal as well. I love the lyrics of this song, they are so to the point.More
Hi, it’s Megan. We’ve got a Derek Jarman film series on right now, continuing through November and much of December. Some of you will know that, especially early in his career, Jarman made a lot of music videos. All this week, I will be posting some of my favorites.
To complement Jarman’s rebellious attitude, I thought I’d start off the week with the rebel Marianne Faithfull. Jarman created this video for her song “The Ballad of Lucy Jordan” (1979). It’s a beautiful and haunting video. As an added plus, she’s a babe.More
Dear reader, this is Tammy.
Last night, as part of the ongoing exhibition The Art of Participation, SFMOMA hosted the first in the series of the Tom Marioni salons: The Act of Drinking Beer with Friends Is the Highest Form of Art. Bringing this simple act into a museum setting required the building of a bar (which I am petitioning to keep well-stocked beyond the show) in the Koret Center, ordering twelve cases of Pacifico beer from the local Bevmo, the completion of many pink and green logistics forms, the administration of drink tickets, and t... More
For serious, I have been waiting to post that headline for over a year. Starting tonight! and for the next three months, we are hosting Bay Area conceptual artist and sculptor Tom Marioni‘s weekly salon, The Act of Drinking Beer with Friends Is the Highest Form of Art. If you’re not familiar with this work, Tom has been organizing the... More
Tom Marioni, The Act of Drinking Beer with Friends Is the Highest Form of Art, 1970 – 2008, 1979 installation view at SFMOMA; © 2008 Tom Marioni; photo: Paul Hoffman
Part two of my conversation with Curator of Media Arts, Rudolf Frieling, on The Art of Participation. Yesterday we covered some specific projects in the exhibition and what an ‘art of participation’ might be; today we’re talking about the build-it-yourself cardboard furniture in the Koret Visitor Education Center, and the particular challenges and delights... More
Matthias Gommel, Delayed, 2002; closed-circuit sound installation; photo: courtesy the artist; © 2008 Matthias Gommel
A few weeks back I had the chance to talk with Curator of Media Arts Rudolf Frieling about The Art of Participation: 1950 to Now, rolling in this Saturday. The exhibition looks at ways artists have been engaging audiences as col... More
[A special election-week Collection Rotation by San Francisco-based artist & curator Chris Sollars, whose experimental documentary C RED BLUE J will be screening in the Wattis theater Nov 4. All works collection SFMOMA & listed in detail at the bottom of this post.]
At Home in Red & Blue Brother Sister America
Growing up, my sister Jenn... More