Archive for July, 2008

Frida Kahlo Was Here: MAPP Happening, August 2 2008

07.31.2008  |  By
Filed under: 151 3rd

This Saturday night, August 2nd, SFMOMA is joining The Mission Arts & Performance Project (MAPP) in a street-level, neighborhood arts extravaganza celebrating the work and life of Frida Kahlo.

During the early years of the SFMOMA, and the reign of founding director Grace McCann Morley, museum forays into the city were the rule rather than the e... More

And also, good night

07.29.2008  |  By
Filed under: Back Page

This is Kris. He works in the guard booth. He’s learning Japanese. He’s awesome.

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And good afternoon

07.29.2008  |  By
Filed under: Back Page

Good Morning

07.29.2008  |  By
Filed under: Back Page

A sweet greeting at the SFMOMA guard station:

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Le Menu: Le Response, Le Call?

07.24.2008  |  By
Filed under: Back Page

Artist Unknown, ["Rib Meat"], 2008, provenance: Minna Alley

Jenny Holzer, Untitled, from the Survival Series, 1983-1985, Collection SFMOMA

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ART:WORK::SFMOMA Staff Art Exhibition 2008

07.22.2008  |  By
Filed under: 151 3rd, Conversations

Last Friday here at the SFMOMA, we celebrated the opening of one of the most highly anticipated exhibitions of the year: the SFMOMA Staff Art Exhibition. In a city where every cab driver is a filmmaker and every filmmaker is a musician is a writer is an artist is an installation crew member, it should come as no surprise that the SFMOMA staff has ... More

Feature: Andrew McKinley

07.16.2008  |  By

[This is the first in an occasional series focusing on people in and around the Bay Area who help make it such a lively place for art & culture. Dear local person and personality, Mr Andrew McKinley, is owner of Adobe Books and a long-time dedicated patron of the arts. Adobe Books in San Francisco’s Mission district has been the heart &am... More

Fritz Haeg’s Animal Estates 4.2: Peregrine Falcon

07.14.2008  |  By
Filed under: 151 3rd

After this weekend’s second installment of Fritz Haeg’s Animal Estates weekend workshops, I’m finally starting to get what Fritz’s project is about. This workshop was Animal Client 4.2: The Peregrine Falcon. There was a Peregrine model home/habitat on display in the SFMOMA Visitor Education Center, and a Peregrine-Falcon lecture by Allen Fish, from the Golden Gate Raptor Observatory . (Among other things, we learned that the female peregrine is almost twice the size of the male peregrine, and this fact of the natural world has been termed, yes, REVERSE SEXUAL DIMORPHISM. Feminist poet-types, go after that.)

After the lecture we all went downstairs to the Schwab room for an animal-sound experiment organized by Carson Bell, “Curatorial Specialist” at the California Library of Natural Sound at the Oakland Museum. Carson had thirteen boomboxes set up around the room and a specialized system wherein on the count of three (plus “GO”), thirtee... More

“Works by the Late Bruce Conner” – (Part 2)

07.11.2008  |  By
Filed under: Essay

[from guest writer Julian Myers]

“I quit the art business in 1967 for about three years… At that time, whenever I’d get any letters about art related events, I’d send them back or throw them out. Sometimes, I’d write deceased on them. I was listed in Who’s Who in American Art and I sent back all their correspondence with “Deceased.” After three years, Who’s Who believed me… So the artist is definitely dead.”

On Monday, July 7, 2008, Bruce Conner died in San Francisco. It wasn’... More

Bruce Conner: 1933 – 2008

07.08.2008  |  By
Filed under: Field Notes

Bruce Conner, Photographic Copy of the Right Hand of Bruce Conner, from the series PRINTS, 1974, Collection SFMOMA, Gift of William Nicolas Conner, Wichita, Kansas

I read with great sadness about the death of Bruce Conner— legendary figure from the Bay Area Beat art scene and one of the most influential of experimental filmmakers. More here, and here, and here. We’ll post more tomorrow.

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Fritz Haeg & the Slender Salamander (Animal Estates 5.0)

07.07.2008  |  By
Filed under: 151 3rd

So, um, there’s a giant tent in the Koret Visitor Education Center. It’s the San Francisco Headquarters of Fritz Haeg’s Animal Estates project, & I’ve been looking forward to its arrival for months, thinking it was going to double as Nap Headquarters when the going got tough over in the cubicle. As you can see, however, mesh windows all around provide glorious sweeping views (of the Education Center), but a rather limited sense of privacy when it comes to staff naps on the sly.

Yesterday afternoon was the first of Fritz’s “Sundown Schoolhouse” workshops (they’re happening every Sunday in July). This one was focused on Animal Client 5.1: The California Slender Salamander. There was a talk by Michelle Koo from the California Academy of Sciences (I learned that the Slender Salamander, besides being a creature without lungs, is almost entirely sedentary: in all of its lifespan an individual salamander moves only a few square yards), and... More

Farewell, Franz Biberkopf, our extraordinary ordinary man

07.03.2008  |  By
Filed under: 151 3rd, Conversations

And so at last we bid our beloved friend Franz Biberkopf goodbye. It’s been a long but wonderful month watching, thinking, and talking together with everyone about all things Berlin A & RWF. Farewell Mieze, farewell Lina, farewell Franzë, Cilly, Ida, Pums, Meck—look, even in a blogpost I’m loathe to wish “fare well” to those awful villains Rheinhold & Luders!—

Dominic & I both want to thank all of our round-table-ees: Brandon, Cynthia, Julian, & Stephen, as well as Brecht our projectionist, Dana Ward our Cincinnati correspondent, and everyone else who’s been along with us in the theater on Thursdays and Saturdays, and in the comment boxes all along the way.

It seems kind of sweetly fitting to close with this last post in from Dana Ward, who didn’t quite make the summit with us:

———

“…What a shame for me that just as I had calibrated the pace of my reading with the bundles of your viewing, I w... More

Berlin Alexanderplatz: Epilogue: Redux:

07.02.2008  |  By
Filed under: Conversations

[Another illuminating post from Brecht Andersch, our projectionist and Berlin Alexanderplatz expert-in-residence, as we wind our way down:]

Hanna Schygulla has said that Fassbinder told her he identified profoundly with all three main characters of Alexanderplatz; “I am Biberkopf, Reinhold, and even Mieze, too.” He had discovered the novel at the age of fourteen, and it served as a mirror to this budding genius, reflecting back the splits within his own psyche. He used his experiences as petri-dish experiments in order to acquire both self-knowledge and an understanding of his world, and his findings became increasingly disturbing: humans, through their own natural needs – love, security, self-protection, etc. – were, consequent to their acquiescence to the powerful, or to the power of the collective, the source of their own oppression. The only answer lay in further, deeper self-knowledge – but how to achieve this in a nation of “StupidheadsR... More